When: 7.30pm on Saturday 13 December 2025
Where: Hallé at St Michael’s, 36-38 George Leigh Street, Ancoats, Manchester M4 5DG

PLEASE NOTE: This show has now sold out!

We’re excited to be working with Jesca Hoop again – this time, at St Michael’s!

Six critically acclaimed albums in, Jesca Hoop’s most recent offering Order of Romance is her most intricate and finely balanced album to date, one that draws on classic song writing, recalling anything from Gershwin to Paul Simon, but creating something that is unmistakably, indelibly Jesca Hoop.

Order of Romance is fruitful marriage of song craft and arrangement, brimming with a cinematic charm, vocal prowess and lyrical wit that signify a new chapter full of new life for an artist who knows her mind, her heart and voice well enough to trust them in uncharted territory. It is a complete work and effervescent culmination of Hoop’s life long practice of singing and the mastery of song.

Tour support is hot springs. Born out of a restless urge to disrupt the humdrum of everyday life — hot springs is a sonic antidote to the mundane. With a mischievous spirit and a love for the unexpected, Manchester-based band leader Rachel Rimmer crafts songs that twist and turn like a fever dream, blending groovy rhythms, off-kilter riffs, and lush, dreamy vocals into something equal parts playful and poignant. With alternative folk intimacy and art-rock spirit – hot springs invites listeners into a world where melodies captivate and structures misbehave. It’s music that dances between chaos and charm, with an instinct for surprising left turns. hot springs’ live shows feature an evolving lineup of musicians drawn from Manchester’s vibrant scene, where Rachel also collaborates with other artists as a band member and freelance producer.

This is a 14+ show. Under 16s must be accompanied by an adult.

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When: 7.30pm on Thursday 22 January 2026
Where: YES Basement, 38 Charles Street, Manchester, M1 7DB

We’re delighted to welcome Jeffrey Martin back – with guest Tenderness!

As a babe Jeffrey Martin sought out solitude as often as he could find it. He’s always been that way, and he has never understood the whole phenomenon of smiling in pictures, although he is a very happy guy. One night in middle school he stayed up under the covers with a flashlight and a DiscMan, listening to Reba McEntire’s That’s the Night that the Lights Went Out in Georgia on repeat until the DiscMan ran out of batteries. That night he became a songwriter, although he didn’t actually write a song until years later. After high school he spent a few years distracting himself from having to gather up the courage to do what he knew he had to do.

Eventually he found his way to a writing degree, and then a teaching degree. He wrote most days like his life depended on it, all sorts of things, not just songs, but songs too. He fell in love with teaching high school English, which was fantastic because he never thought he’d actually come to truly love it. His students were fierce and unstoppable forces of noise and curiosity, and for all that they took from him in sleep and sense, they gave him a hundred times back in sparks and humility.

All the while he was also playing truckloads of music. There was one weekend where he flew to LA while grading essays on the plane, played two shows, and then flew back home, still grading essays, and woke up to teach at 5am on Monday morning. It was around this time he started wondering if such a life was sustainable.

Alas, music, the tour life, was a constant raccoon scratching at the back door. Jeffrey spent nights on end sitting up in bed, and then sitting on the front porch, staring off into the dark, wondering if he could bear to leave teaching to go on tour full time. Eventually his brain caught up with what his guts had known for months. With tears in his eyes he announced to his students that he wouldn’t be back the following year, and that he didn’t feel right hollering at them to chase their dreams at all cost if he wasn’t going to do the same.

Jeffrey Martin tours full time now. He is always making music, and he is always coming through your town. He misses teaching like you might miss a good old friend who you know you’ll meet again.

‘[In Thank God We Left The Garden,] Martin has delivered one of the finest albums of recent times, which if there is any justice should elevate him to the very forefront of the current crop of confessional singer-songwriters and sit high in all the end of year top ten lists’ – Americana UK

‘Reminiscent of early Nathaniel Rateliff and John Moreland, and prime John Prine, there’s no reason here to doubt that Martin might one day eclipse them all’ – Mojo

Tour support comes from Tenderness. Tenderness is the solo project of Katy Beth Young of Peggy Sue and Deep Throat Choir. She writes strange love songs about romance, grief and re-read text messages. She’s been listening to a lot of Patsy Cline and a lot of Yo La Tengo, Big Thief, Wye Oak and Bill Callahan. It turns out all of her favourite bands are a little bit country <3

Tenderness will release her debut album True on 13 March 2026 via Amorphous Sounds. The album features tidal pools, video calls, streaming algorithms, heat waves and a full moon on a touchscreen. Produced by Euan Hinshelwood (Younghusband, Cate Le Bon) at his VacantTV studio in South London over four years, True is a solo album in name, but a communal one in spirit, with Hinshelwood adding layers of synths, drones, bass, and Bonnie ‘Prince’ Billy–inspired guitar solos.

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When: 7.30pm on Thursday 22 January 2026
Where: The Strines Nightingale, 105 Strines Rd, Strines, Marple, Stockport SK6 7GE

We’re excited to welcoming Jim Moray to the Strines Nightingale for an intimate show!

Jim Moray is an English folk musician, singer, and producer known for his innovative approach to traditional folk music. First gaining notice in the early 2000s for his startling reimagining of traditional songs, blending acoustic instrumentation with electronic production, he has established himself as one of the key figures in the English Folk Revival of the last 25 years.

A true polymath, he is known for playing nearly all the instruments on his recordings as well as producing, arranging and mixing. He is also in demand as a producer for both a new generation of forward-looking folk musicians and the older generation of musicians who came before him. Never satisfied with staying still, the artist is still moving after shaking the folk world to its foundations twenty years ago. And in a genre where musicians reach their peak the older they get, there’s a sense that he has only just begun.

Tour support comes from Maz O’Connor.  Described by the Observer as ‘a highly individual singer-songwriter’, Maz O’Connor is a truly unique artist. From Cumbria with Irish roots, Maz is known for her haunting, emotive vocals and her poetic lyricism. Her songs are most often short stories inspired by her love of literature, folklore and mythology. She wrote her first song aged four, whilst making a ‘radio show’ with a cassette player and her older brothers, and grew up singing folk songs in her local Cumbrian venues.

Winning a BBC Performing Arts Fund Fellowship in 2014 (once won by Adele) brought Maz to wider attention, and later that year she was nominated for a BBC Folk Award for her first album, This Willowed Light. Maz has since released three further albums, toured the UK, Europe and Canada, played live sessions on BBC Radio 2 and 3, and appeared at major UK festivals, including Glastonbury and WOMAD. Her upcoming album, Love it is a Killing Thing, is a collection of her favourite folk songs re-composed, recorded live to tape. It will be released in 2026.

‘Maz O’Connor’s ace, apart from her remarkable songwriting talent, is her captivating voice’ – Q

This show takes place at the Strines Nightingale – a lovely country pub, formerly called the Sportsman, which re-opened in autumn 2022. Strines is on the Piccadilly-Sheffield train line, and on the 358 bus route from Stockport to Hayfield. This show will run until 10.30pm at the latest.

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When: 7.30pm on Friday 23 January 2026
Where: Gullivers, 109 Oldham Street, Manchester, M4 1LW

We’re delighted to be working with Fust for the first time!

What does it mean to be from the South today? To try to reconcile the struggles and possibilities of Southern experience through songs, through words? Is it worth it? Are there secrets still worth revealing?

Fust – the lyrical powerhouse Southern rock band from Durham, North Carolina – have made these questions the heart of their work and, more than ever before, it is the drama at play on their new record Big Ugly. Fust joins a long tradition of artists that have tried to present life in the dirty South, from the lived-in short stories of Breece and Ann Pancake to the traditional record-keeping of John Jacob Niles to the southern rock historicism of Drive-By Truckers. For these artists and for Fust, making sense of the South is a necessity because history is what hurts and in the words of Hemingway, our call is to “write hard and clear, about what hurts.”

Big Ugly is an 11-song testament to doing just that, with band leader Aaron Dowdy pushing his obsessions with country-storytelling to more mystifying places, hellbent on proving the elegance of grittiness in Southern life. The seeds for Big Ugly began when Dowdy – a distant relative of Maybelle Carter and the infamous Hatfields who grew up in southwest Virginia at the foothills of coal country – started taking trips with his grandmother to southern West Virginia over the past few years. Walking around the places she grew up, he was moved by how those melodramas of holler life from over half a century ago were afire in her still. Those trips came pouring over him when he was in Europe in 2023, longing for home and beginning to trace the outlines of a new record. There, he saw a millenia-old gutter on the ground, a shoddy yet time-honoured remnant memorialised with a placard off the streets of modern Athens. “I’ve spent countless hours hanging out by fallen gutters out back of rundown houses throughout the South” says Dowdy. “I never thought to think of them as monuments of the future.” These two interrelated themes were the first two entries in Dowdy’s miles-long notes app for what would become Big Ugly and illuminate its core themes: the blurrings of past and present, the once magnificent now in disrepair, and how a certain love and honour for the squalor of today can become the promise of a future.

Big Ugly is the third album by Fust on their longtime label home of Dear Life Records, who gained notoriety with MJ Lendermans’ Boat Songs, and have become a haven for contemporary songwriters. Their studio debut, 2023’s Genevieve, was recorded with producer Alex Farrar (Manning Fireworks, Rat Saw God, Tomorrow’s Fire) in Asheville, North Carolina, and received rave reviews from Pitchfork, Stereogum, Paste and more. Recorded with Farrar over ten days in June of 2024, Big Ugly is the explosive result of Fust uncovering a freedom within their sincere form of loose and fried guitar rock, emboldened to deliver both their most intimate songwriting and biggest sound to date. The members – Aaron Dowdy, drummer Avery Sullivan, pianist Frank Meadows, guitarist John Wallace, multi-instrumentalist Justin Morris, fiddlist Libby Rodenbough, and bassist Oliver Child-Lanning – weave their voices alongside guests like Merce Lemon, Dave Hartley (The War on Drugs), and John James Tourville (The Deslondes) across music that sounds like a conversation between old friends, and is exactly that.

The songs on Big Ugly are hearteningly varied, moving from beer-fisted radio country to elegiac drones and deconstructed ballads. Between big chords and Dowdy’s instantly recognisable voice, opener “Spangled” begins as any 21st century American ballad might: “they tore down the hospital/ Out on route eleven,” and snowballs into a drunk ghost’s reverie: “I’m feeling like heaven/ I’m feeling like a sparkler/ That’s been thrown off a roof/ And I’m left floating off VA-305.” Dowdy’s lyrics superimpose the obtuse and the palatable, kitchen-table images from a spotty memory, beater cars mystically lifted. Characters come and go like old friends as in “Bleached”: “The last I heard of Corey/ He was living on the national dirtway/ I’m thinking of his summer blonding / In those days I was barely happening.” The album’s themes culminate in the sing-along anthem “Mountain Language,” which laments the poverties of Southern life at the same time that it celebrates a higher poverty – a country utopia that’s just out of grasp, where we could live if we could only “make it up the mountain again.” This rural hermeticism and dime-store everyday are the two sides of every insignificant thing in the town of Big Ugly.

The record cross-stitches fact and fiction, following tough-skinned characters who inhabit its titular town. These stories are Dowdy spinning yarn from his unique trove of Southern experience, as both insider and outsider to its deeply contradictory charms: raised Jewish in an often antagonistically born-again region, encouraged to write early on despite ridicule, and inspired to leave for northern cities only to return with a newly realised and committed fury. But despite the fictions Dowdy personally winds his way through, “Big Ugly” is also a very real place: a small, unincorporated area in southern West Virginia around where Dowdy’s family has deep roots. The album cover—a mural from the Big Ugly Community Center depicting the area around Big Ugly Creek – was painted by locals for a 2004 play performed by the children that interpreted their elders’ stories. On Big Ugly, Fust reimagine the life depicted in the mural between its bars, gas stations, general stores, and double-wides, its inhabitants finding history and meaning in the banal theatre of their own private jerkwater. Like Dowdy’s grandmother watching the cinema of her childhood atop the now tumbledown river valleys of her youth, Big Ugly makes you feel like there are still memories worth making and stories worth telling in the most unlikely of places.

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When: 7pm on Saturday 24 January 2026
Where: YES Basement, 38 Charles Street, Manchester, M1 7DB

We’re delighted to be helping Juice Pops launch their debut album!

After four years of quietly crafting their sound, Manchester’s Juice Pops are ready to make some noise. With their debut album Living Books, the quartet step confidently into their hometown spotlight, launching the record with a special gig at YES Basement.

Since forming in 2018 and releasing their self-titled EP in 2021, Juice Pops have evolved from purveyors of bright, sunshine-pop to something altogether more richly textured. Their brand of upbeat indie rock now sprawls across genres – psychedelia, post-hardcore, garage rock, surf, and power pop all collide in an exuberant mix that feels both nostalgic and modern.

Recent singles have hinted at this broadening vision. The Death of Anne Boleyn drew praise from DJ Tom Robinson as a “lo-fi earworm” and picked up spins on BBC Radio 6, while their touring schedule has seen them fill storied venues like Leeds’ Brudenell Social Club and light up festival stages from coast to coast, including a memorable turn at 2024’s Truck Festival in Oxfordshire.

Living Books channels a restless energy into a set of songs that swing between mania and melancholy, packed with lyrical flights of imagination – cathedrals, time machines, stargazing, and haunted heroines straight from the pages of Tolstoy. Musically, it’s a fever dream of intertwining twin guitars, harmonies and vintage organ swells, balancing moments of lush introspection against sharp, tonally shifting bursts of chaos. BBC Introducing Manchester have already hailed lead single Heavyweight Champion as “that sweet intersection of noise and bliss that makes magic.”

With Living Books, Juice Pops make their most confident statement yet—channelling their creative chaos into a debut alive with imagination and a fearless sense of musical adventure.

Support comes from Precious Metals. Precious Metals formed in Sheffield in 2018. Their beachcombing post-punk riffs, psychedelic keys and earworming alternative pop harmonies have the band surfing somewhere on the Pacific Ocean between 90s Olympia and Connan Mockasin’s tripped-out New Zealand. Their lyrics are inspired by bottled messages found in post-industrial waterways, the social politics of Cold War Germany, Mongolian wildlife – or, in the case of ‘Portholes’, were written entirely by a pair of schoolgirls from Rotherham.

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When: 7.30pm on Wednesday 28 January 2026
Where: The Bridgewater Hall, Lower Mosley Street, Manchester M2 3WS

We’re delighted to be working with The Unthanks as they celebrate their 20th anniversary special with Royal Northern Sinfonia!

The Unthanks unite with Royal Northern Sinfonia to celebrate 20 years as a band in spectacular style. Simultaneously marking the 10th anniversary of BBC Folk Album of the Year, Mount The Air by The Unthanks, the show will cherry-pick crowd favourites from across their 15 albums to date.

Elevating the orchestral sensibilities already present in the music of The Unthanks, their collaboration with Royal Northern Sinfonia builds on the band’s symphonic explorations to date, led by the arrangements and compositions of Unthank pianist and composer, Adrian McNally. While most artists look to the classical world for assistance in orchestrating their work, The Unthanks have retained close care of the songs they love and let no such opportunity for artistic development pass them by. If folk music can traditionally be referred to as ‘low culture’, The Unthanks aspire to prove that the beauty, truth and relevance present in the oral history of the people, is anything but common.

Having already proved so in performances with BBC Concert Orchestra at The Proms, with the Royal Liverpool Philharmonic, Brighouse and Rastrick Brass Band and Charles Hazlewood’s Army Of Generals, a celebratory show with NewcastleGateshead’s world class chamber orchestra is a fitting way to mark 20 years of innovation and longevity that has earned them admirers including Michael Sheen, Maxine Peake, Martin Freeman, Elvis Costello, Martin Hayes, Mackenzie Crook, Dawn French and Phillip Selway.

The show will be conducted by Ellie Slorach.

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When: 7.30pm on Friday 30 January 2026
Where: Hallé at St Michael’s, 36-38 George Leigh Street, Ancoats, Manchester M4 5DG

We’re excited to welcome Romeo Stodart and Ren Harvieu back – with a brand new show!

Romeo Stodart and Ren Harvieu are unveiling an entirely new and exciting live show together.

The RnR Show will be taking their songs and stories into some of the UK’s most beautiful and intimate rooms. The pair promise a show as riveting as it is ramshackle, as romantic as it is rambunctious.

Expect a rich tapestry of new material woven with reimagined favourites from their own catalogues — and a few magical surprises along the way.

With their forthcoming debut album together arriving in the new year, this is a rare chance to experience two kindred spirits at the very start of a bold and beautiful new musical journey, sharing their craft with honesty, humour, and heart.

Truly a show not to be missed.

Ren Harvieu is a singular voice in British music — rich, emotive, and timeless.

The Salford-born singer-songwriter first arrived with Through The Night, her Top 5 debut, which won her an eclectic array of fans from the likes of Nas, Tom Jones and the BBC Philharmonic Orchestra – all inviting her to sing with them.

She has since gone on to craft a sound that is uniquely her own: dramatic, sensual, and steeped in classic pop romanticism. Her second album, Revel In The Drama, drew rapturous acclaim, with Uncut hailing it as ‘truly transformative… a rebirth’ and the Guardian as ‘woozy and cinematic, full of yearning vulnerability’, while Long Live Vinyl likened her to ‘Nick Cave doing Broadway’.

Looking ahead, 2026 promises to be a landmark year. Ren will release not one but two new albums: her eagerly awaited third solo record, and an exciting debut collaborative album with Romeo Stodart. It’s a thrilling year for her music and a fresh chapter in her artistic journey.

Romeo Stodart is the lead singer/songwriter in the much loved London-based rock ‘n’ roll harmony group The Magic Numbers.

The band comprising of two pairs of brothers and sisters have released five critically acclaimed albums thus far including the self-titled Mercury Prize-nominated, million-selling debut.

Alongside The Magic Numbers, Romeo has collaborated with a vast array of artists including writing songs for and with the late Jane Birkin, Edwyn Collins, Amadou & Mariam and The Chemical Brothers. He has contributed his unique guitar playing style to various projects, from Damon Albarn’s Africa Express collective since its inception, to playing banjo, guitar and harmonies on the Spiritualized album Sweet Heart Sweet Light.

Romeo was also the touring guitarist with Jimmy Webb & The Webb Brothers, accompanied McAlmont & Butler on bass duties amongst many others. He’s been producing other artists of late, notably Billy Bragg’s most recent album as well as cowriting and producing songs from Natalie Imbruglia’s latest top 10 record Firebird.

This concert takes place in Hallé at St Michael’s – a former Roman Catholic church, which was founded in 1859 and became the heart of the Little Italy Community in Ancoats.

This is a 14+ show. Under 16s must be accompanied by an adult.

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When: 6.30pm on Sunday 1 February 2026
Where: Band on the Wall, 26 Swan Street, Manchester M4 5JZ

We’re excited to welcome The Dream Syndicate back as they present Medicine Show in its entirety!

The Dream Syndicate will perform their visceral 1984 album Medicine Show on tour in the US and Europe beginning in November 2025 and carrying through March of 2026. The tour will sync with a reissue of Medicine Show (now expanded into a 4-CD set of 42 songs, 29 unreleased performances (live and studio) from 1983-84) and a vinyl LP on the band’s own Down There label, distributed by Fire Records.

It will be the first time the band has played Medicine Show in its entirety and comes fresh on the heels of a similar and successful tour for The Days of Wine and Roses in 2022.

The band will open each evening with a set of new material, drawn from the four reunion albums they have made since 2017, take a short break and then switch over to Medicine Show – heralded as one of the 40 best rock albums ever by the Guardian. It has been out of print in every format for decades.

The reissue comes on the heels of an intense and lengthy legal battle that ended with the band winning the rights to the album, which they’ll be signing every evening at the merch table after the show.

The Dream Syndicate burst onto the LA scene at the beginning of 1982 as the leaders of the Paisley Underground movement – becoming one of the leading lights of the American indie scene that was brewing after the birth of punk and new wave. Four albums and countless tours followed before The Dream Syndicate disbanded in 1988, then reuniting in 2012. The core band of Steve Wynn, Dennis Duck and Mark Walton from the first incarnation was joined by Steve Wynn & the Miracle 3 guitarist Jason Victor and eventually Green on Red keyboardist Chris Cacavas, the lineup that endures to this day.

This is a 10+ show. Under 16s must be accompanied by an adult.

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When: 7.30pm on Wednesday 4 February 2026
Where: Gullivers, 109 Oldham Street, Manchester, M4 1LW

We’re delighted to be working with Dominie Hooper again!

Dominie Hooper is a London-based singer, songwriter and multi-instrumentalist crafting spellbinding music rooted in folklore, ritual, and emotional transformation. Her songs simmer with raw intensity and lyrical barbs, blending growling cello, textured guitar, and collective vocals into something dark, unsettling, and beautiful.

Her debut single for Lost Map Records, Land, produced by Ben Hillier (Depeche Mode, Nadine Shah), is a powerful meditation on healing and self-reclamation. Written while reflecting on her upbringing in the wilds of Dartmoor, the track conjures a landscape of isolation, memory, and grounded magic.

‘It’s about choosing the path of healing, again and again,’ Dominie explains. ‘Magic, folklore and myth offer archetypes through which we can flip our own script.’

Dominie’s sound draws comparisons to the brooding drama of PJ Harvey and John Parish, the raw emotional weight of Magnolia Electric Co., and the timeless power of Richard & Linda Thompson. Her commanding voice and blistering live band have already earned her support slots with This Is The Kit, multiple UK headline tours, and appearances at festivals including Shambala, Deer Shed, and Moseley Folk.

With early support from BBC 6Music, BBC Introducing, Radio 2, and RTÉ 2, plus backing from Help Musicians and PRSF, Dominie is poised for a breakout year.

Her upcoming debut album, In This Body Lives, due for release on Hallowe’en 2025, promises to deepen the spell. As Under the Radar Magazine put it: ‘The breadth of her talent is immediately apparent.’

‘Endlessly engaging and thrilling’ – Guy Garvey, BBC 6 Music

‘Absolutely beautiful’ – Shaun Keaveny

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When: 7pm on Thursday 5 February 2026
Where: Low Four Studio, Deansgate Mews, Great Northern, Manchester M3 4EN

We’re delighted to welcome Simeon Walker back to Manchester – with special guest Rory A. Green!

Versatile and prolific Leeds-based pianist and composer Simeon Walker has quickly emerged as a leading light in the burgeoning modern classical scene. Alongside a busy performance and touring schedule across the UK and Europe, in recent years he has supported a variety of high-profile artists including Neil Cowley, Submotion Orchestra, Erland Cooper and LYR (Simon Armitage’s musical project) and performed notable live sets at Latitude, Timber Festival, the Edinburgh Fringe and SXSW London.

His music is regularly broadcast on BBC Radio 3 and ClassicFM, and has received listening figures in excess of 50 million streams across platforms, whilst his piece Reverie notably features on the first official Piano Day compilation (2022) by the LEITER label, alongside modern classical luminaries Nils Frahm, Olafur Arnalds and Chilly Gonzales.

An in-demand collaborator, Simeon has worked with numerous musicians, composers and performers across a wide range of genres and musical styles. With a keen interest in interdisciplinary work, he has received commissions to collaborate on projects involving fellow creatives such as artist Mary Griffiths, Portuguese choreographer Sara Afonso, writer Emma White, filmmakers Will Killen and Ben Cohen, plus organisations including BBC Radio 4 and University of Leeds. As a session musician, he regularly records for composers working in the film and television industries, and recently completed a range of compositional work for the popular estate agent, publisher and journal The Modern House.

Whilst studying for a Masters in Composition, he studied under the tutelage of the recently appointed Master of the King’s Music Errollyn Wallen. With a background in classical music alongside a keen interest in jazz, folk and ambient music, Simeon’s diverse and varied creative output coupled with his informal, invitational and warm-hearted approach to live performance reflects the extremes of human experience and emotion, aiming to bring people together around the joy of shared musical experiences.

Encompassing moments of quiet, gentle solitude through to boisterous, flowing exuberance – this is music composed and performed from the heart; simultaneously capturing a sense of open, spacious landscapes and grandeur, paired with sincerity, intimacy and warmth. Listeners are invited to gather around the piano; to find beauty and meaning as much in the spaces between the notes as the notes themselves, as tender, expressive and heartfelt musical stories are woven engagingly together, delivered with a uniquely delicate touch and a self-deprecatory wry smile.

‘Sublime, assured and immersive compositions’ – SY Gigs

‘Remarkable stage presence and command of the instrument’ – Modellbahn Music

Special guest is Rory A. Green. Ghanaian-English guitarist, composer, producer Rory A. Green uses inspiration from his mixed heritage background and the sensitivity of acoustic instruments and combines them with the sonic complexities of synthesis, heavily layered instruments and infectious rhythms to create beautiful, atmospheric environments for his music to exist in.

With his dynamic, conversational approach to the guitar and improvisation Rory has been using music to share stories and captivate audiences across the UK. Sharing stages with artists such as Laura Misch, Kessoncoda, Marysia Osu and Kessoncoda.

This show takes place at Low Four – a recording studio situated on Deansgate Mews in the Great Northern warehouse. This intimate venue features a fully stocked Cloudwater bar.

This is a 14+ show. Under 16s must be accompanied by an adult.

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